“Aldo Nova 2.0 Reloaded” has Aldo‘s biggest hits reworked to sound sonically more powerful and supercharged. The ten tracks are a group of diverse, high-energy rockers packed with Aldo‘s thunderous guitar work, soaring vocals, and heartfelt lyrics. Eddie eventually succumbs to drugs, alcohol, and excess, which plunges him into a world of despair until he finds redemption on his own terms. “The Life and Times of Eddie Gage” tells the story of Eddie Gage, a musician who breaks into the music industry only to be preyed upon and manipulated by corporate overlords. His second release, “Aldo Nova 2.0 Reloaded,” features nine of his classic songs re-imagined and will be released on April 19 th. The first album features ten brand new studio tracks from this 25 song Rock Opera, “The Life and Times of Eddie Gage,” due out on April 1st. “It looked like it cost a million bucks, but we did it for only $15,000.Aldo Nova is back and better than ever, releasing two albums this April. “Back then nobody had ever seen anything like that in a video before,” says Nova, whose new album, The Life and Times of Eddie Gage, is available now. Reaching a locked door, Nova aims his Les Paul and shoots out a laser beam to get inside the building, after which he performs onstage for awaiting fans. “I never thought the song would be a hit,” he says.Īiding its ascent was an elaborate video that was in regular rotation on MTV, in which the guitarist, clad in a leopard-print jumpsuit, emerges from a helicopter and is led to a warehouse by machine-gun wielding bodyguards. Thanks to its potent blend of sharp hooks, arena-quaking electric guitars and a tight sheen of surging synths, “Fantasy” vaulted its way onto AOR playlists in the early months of 1982, climbing to number 23 on Billboard’s Hot 100 and reaching number three on its Mainstream Rock chart, while the album Aldo Nova quickly went Platinum.īack then nobody had ever seen anything like that in a video before Aldo NovaĪll of which came as a surprise to the man suddenly living out the title of his debut single. The recording led to a publishing deal and then a full label contract with Portrait Records, which gave the young rocker a chance to produce his self-titled debut album. “He made everything sound like cannons,” Nova says of Bongiovi, whose second cousin Jon Bon Jovi would work with Nova in the 1990s. Once Nova finished tracking “Fantasy,” American producer Tony Bongiovi came in to mix. “I wanted it to sound like dueling guitars, like those southern rock bands used to do, so I double-tracked the solo with one on the left and the other on the right.” “I cut the solo on the fly, but I had a plan for it,” he says. “We tried a couple of drummers, but this guy Terry Martel nailed it.”įor guitar tracks, Nova used his favorite Wine Red Les Paul Custom. “I played everything except the drums,” he says. I played everything except the drums Aldo Nova Nova had never recorded a proper demo of “Fantasy,” but as the lucky recipient of a large chunk of free studio time, he operated as his own one-man band. “The people at the studio said I could use his time and do whatever I wanted.” When the guy skipped out of the sessions that had been booked, Nova got his big break. “I told him I wrote, and we started working together.” “He was looking for a songwriter,” Nova says. One night, after performing a club date, he ran into a local musician with a label deal who was recording at Montreal’s Bobinason Studios. Nova’s opportunity to get into a proper studio came about by a most unusual circumstance. (Image credit: Ross Marino/Getty Images) Keys to the Studio
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